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Private View

by Waspjuice

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buzzwagon
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buzzwagon This is great. Lead singer of the Black Cillas www.facebook.com/blackcillas/ jumps in a station wagon with Lloyd Cole, Marc Bolan, Ron Sexsmith and a young Beck. With Peter Sarstedt locked in the boot they skirt Nashville listening to late night radio. A long journey from Graveney. Favorite track: Seven Dollar Haircut.
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  • Record/Vinyl + Digital Album

    This comprehensive Waspjuice package contains:

    - 12" LP of 'Private View'
    - Digital Download and streaming of 'Private View'
    - Signed lyric sheet
    - At Swim tote bag
    - Bonus CD of new material 'Songs of Indolence and Expedience'

    Includes unlimited streaming of Private View via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    edition of 100  9 remaining
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  • Record/Vinyl + Digital Album

    Deluxe 12" Vinyl LP of 'Private View'. Includes 12" vinyl album, lyric artwork, digital download code and At Swim tote bag!

    Includes unlimited streaming of Private View via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 1 day
    edition of 100 
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  • Record/Vinyl + Digital Album

    Waspjuice's debut album on black 12". Includes digital download.

    Includes unlimited streaming of Private View via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £22 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 17 At Swim releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Talk, L'Architecture de l'Impermanence, Sage (album), Songs Of Indolence And Experience, Sage - Single, Baba Marta - Single, We Will Always Be Lovers [FREE DOWNLOAD], Enough Already [FREE DOWNLOAD], and 9 more. , and , .

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1.
I’ve found a room where we can live – it’s gonna be a palace The guy before me broke it up, set fire to the mattress I’m gonna buy some paint today – the landlord’s got some brushes He’s gonna rent me I reread your letter – I’m sure there’s no mistake I’m waiting as instructed (I’m aching for you) The traffic on the Westway means there’s always hell to pay Pushing through the day, pushing through the night – to be somewhere. The guys on the corner, they meet up every day They drink ‘til they can’t drink no more, they go their separate ways I sure could use some company, they seem to be quite friendly Pushing through the day, pushing through the night – be somewhere I’m pushing a rock, a rock up a hill But it’s a beautiful hill and it’s a rock worth pushing Pushing through the day, pushing through the night – to be somewhere Everybody’s got to be somewhere
2.
Jonathan 03:44
Dissolute boy, easily led By fairweather friends – what was it you said? That people only hurt you so leave them well alone Better keep your distance, don’t ask too many questions No way And what about Jane – yeah, what about her? She don’t like your friends, the place they’ve taken you You don’t mean to hurt her but hurt her all the same She’s all you ever wanted, but just forget to call her Most days Jonathan What happens now, happens to you? Pissing away another afternoon Steady as she goes and you must surely know You’re all she ever wanted, but she’s running out of reasons To stay with you Jonathan So steady as she goes, and go she surely will Your girl is gonna blow and I think you need to know It’s your shout – it’s your shout Jonathan
3.
Drunk on Greek tequila And stranded on the sofa I’m killing time ‘til half past nine The guys are due, and we all find her Funny and sexy and clever and gorgeous (Dig that midwestern drawl) We gather at mine and we know every line Yes, we’re waiting – waiting for Annie Hall I publish modern fiction I’m a limited edition A life obsessed with those expressed Through other people’s eyes You’re funny and sexy and clever and gorgeous – D’you have a number I can call? Let’s meet up again so that I can explain Why you remind me – remind me of Annie Hall. I publish modern fiction With limited conviction I’m unimpressed with life undressed And all that it implies And though you’re funny and sexy and clever and gorgeous I just can’t see you any more Joanna and Jane will be glad to explain Why you remind me – remind me of Annie Hall. In Soho coffee houses And fringe theatre foyers At private views, in arthouse queues The lovers I contrive to lose are Funny and sexy and clever and gorgeous – The rest I simply don’t recall Long short or tall they are footnotes, that’s all When you’re waiting, waiting for Annie Hall Waiting for Rome to fall Waiting for Spurs to score Listening to Aznavour.
4.
I’m a feather to every wind that blows It’s no secret – everybody knows I’ve got restless feet – the open road, the city street Seems that I can’t live without it We are feathers to every wind that blows Blown together, and everybody knows She’s got a history of saving the lives of men like me Seems that I can’t live without her No, it ain’t me who’s disappointed by this world And it ain’t me can’t find no good in anything No, it ain’t me who’s drinking gin straight from the bottle ‘cos the birds won’t keep from singing in the trees But what the hell do I know, when I am just a feather – To every wind that blows? We are feathers and that’s the way it goes Blown together, and some would say too close She’s got a history of saving the lives of men like me But I’m not sure that I need saving She’s dropping hints around this place just like confetti I’d put her straight if I thought that she would let me She’s not overjoyed that I’m shooting the breeze with Leonard and Lloyd, Who say there’s work in Pensecola It ain’t just you who’s disappointed by this world I guess it’s true you won’t find good in everything I figure six weeks then the east coast for the winter And I reckon you’ll find someone else OK But what the hell do I know, when I am just a feather – To every wind that blows? And what blew us together? Well heaven only knows.
5.
She’s nothing to me as I empty the change from my jeans She’s nothing to me as I load up the washing machine She’s nothing to me and I follow the scent where she’s been I’m nothing to her and she’s nothing no longer to me I’m nothing to her - I’m a number she ain’t gonna call I’m nothing to her – I’m the last on her list, that is all I’m nothing to her, and to her I am no longer he I’m nothing to her and she’s nothing no longer to me Hey Mister! You got thirty seconds? Are you selling me something or just keen on Jesus? The mods and the rockers, the rappers and ravers Conspiracy theorists and Martian believers, The cruisers and bruisers, the duckers and divers, The flush and the busted, the grim nine-to-fivers agree – She’s nothing to me She’s nothing to me and the barman says I should go home I stumbled that’s all, can I trouble you, sir, for a loan? There’s nothing to see, would you move along gentlemen, please? I’m nothing to her and she’s nothing no longer to me Hey Jesus! What’s the story? I hear you’re not pulling ‘em in like you used to Is it true what they say – that the firm’s going under, If you need some advice here’s my telephone number If the sun don’t come up and the sky’s falling in ‘cos your lover has gone, close your eyes and repeat after three: She’s nothing to me She’s nothing to me She’s nothing to me She’s nothing to me The cruisers and bruisers, the duckers and divers The flush and the busted rise up with one voice and decree: She’s nothing to me She’s nothing to me She’s nothing to me She’s nothing to me.
6.
All I want is everything and mister I don’t want for anything I say the word, they paint the sky They’re standing by to paint the sky – in Hollywood. All I want is all you have And I’m so fast I’m way ahead of you D’you want to see a photograph Of me and Frank Sinatra? See him there, he’s clearly visible Was there a call (I’m waiting for instructions)? Was there a call from Hollywood at all? The lines are down, maybe the lines are down I don’t sleep so good these days, no sir I’m rage and bone (yeah, rag and bone) And I’m so fast I’m barely visible All I want is everything But I’ll take almost anything Was there a call (I’m waiting for instructions)? Was there a call from anyone at all? The lines are down, I guess the lines are down I don’t sleep at all these days, no sir All I want is fries with that And I’m prepared to work for union D’you want to see a photograph – d’you want to take my number? I’m the talk of Tinseltown I’m the talk of Tinseltown, I am – Just ask Frank Sinatra.
7.
I’m gonna ride the Starlight, coach, to San Francisco My head is full of dense ironic prose There are folk I’ve gotta see in San Francisco I know they’ll want to hear what I propose I’m going to fix myself right up in San Francisco Where I’ll observe a disciplined regime I’m going to write every morning, make some calls and drink some coffee – Navigate the literary scene There are folk I’ve gotta see in San Francisco – Contacts of a close friend in the know I’ve got a seven dollar haircut, a notebook and some clothes, Some contacts of a friend who’s in the know I’m going to write every morning, make some calls – maybe drink some coffee With some people an acquaintance claims to know I’ve got a seven dollar haircut, my notebook and some clothes, A head that’s full of dense ironic prose.
8.
Dynamo hum and the squeal of the wipers The rain plays the roof like a brush on a drum Banana-haired boy rocked to sleep by the camber Crayola held tight between finger and thumb Crayola held tight between finger and thumb Crayola held tight – between finger and thumb. Banana-haired boy – your world made anew With every fresh pass of the wiper The song of the tyres, the road rushing under Crayola hung loose between finger and thumb Crayola hung loose between finger and thumb Crayola hung loose – between finger and thumb Does the wind snatch the leaves, or the tree shedding green Make the breeze? Does the moon rule the sea Or the sea chase the moon through the trees – Stripping leaves? Banana-haired thrown awake in an instant The rain on the roof like a brush on a drum Or a child in a car heading somewhere at night Crayola hung loose between finger and thumb Fallen leaf fast between window and wiper – Don’t drop that Crayola
9.
Run Aground 03:07
Don’t you ever change Lose it all for love Or leave your laughing eyes Outside your house. Don’t waste it all on words – On sorry notes from careless boys. Don’t you ever say You’d risk it all for love And stake your laughing eyes On coming through. Waste all your wild words On siren songs for handsome boys. If you ever change I swear I’ll turn around And leave your laughing eyes To light this flinted ground. God damn those handsome boys - And their careless words. I talk a good fight But I can’t get it right ‘Cos I’m cold when she’s hot And I’m hot when she’s not When the chips are down When’s her fleet’s in town When her siren sounds – I just run aground.
10.
He only wants you when he’s drunker than drunk When the landlord rings the bell He’s got no place else to go to So he thinks he might as well He wanders down your road as the laughter turns to anger And he tattoos his intentions on your door You’ve never known love like it, it’s crazy and electric It’s the other side of passion that you saw He only needs you when he’s broker than broke When his credit’s good nowhere His friends now drink without him, just turn around – He’ll be there So tell me that he loves you, that he never pulls his punches That he cries until the morning brings the sun The power floods right through you as he begs you for forgiveness It’s the other side of passion – are you done? Because I’ve wanted you for a long, long time Held you while you cried out for a dozen punchdrunk lovers But you don’t see me – I can’t make you see that There’s another side to passion and I guess you just can’t stop once you’ve begun, you’re Mother Theresa, Elizabeth Taylor rolled into one, and that Other side of passion I guess it won.

about

'Private View' is Waspjuice's first long player for new label At Swim Music.

The songs on the album is heavily inspired by the artists based in Laurel Canyon in 1967, but on the strict condition that Burt Bacharach and Leonard Cohen be counted amongst its residents, and REM and Aimee Mann regular visitors.

Written and recorded over the course of 15 years, 'Private View' brings together the life experience and influences of lead singer and songwriter, Chris Blunkell. Chris self-produced the album in his home studio, and it has some beautiful moments, with guitarist Brian Barnett's parts sparkling and multi-layered harmonies lifting songs out of the everyday and into something more transcendant.

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released February 17, 2020

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At Swim England, UK

Independent Record Label in the UK.

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